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- <text id=90TT0401>
- <title>
- Feb. 12, 1990: Seedlings
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Feb. 12, 1990 Scaling Down Defense
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THEATER, Page 59
- Seedlings
- </hdr>
- <body>
- <p>Broadway launches a scheme to cultivate new musicals
- </p>
- <p> On Broadway it often seems that the sorry state of the
- musical is, like the weather, something everybody talks about
- but nobody does anything to change. That may be because
- everyone shares the blame. Unions impose cumbersome work rules,
- producers permit profit-busting budgets, and so on. The result
- is a system that penalizes old hands, shuts out newcomers
- almost entirely and yields barely one good new American musical
- a season. Last week a whole lot of somebodies, from Pulitzer
- prizewinners to giant media companies, decided to do something
- about it.
- </p>
- <p> Their venture, New Musicals, is scheduled to mount some 16
- shows during the next four years for pre-Broadway test runs at
- the State University of New York campus at Purchase, 30 miles
- from New York City. The facilities can accommodate the
- elaborate staging that audiences expect on Broadway. But in
- contrast to traditional pre-Broadway tours, these tryouts will
- enjoy financial concessions from virtually everyone onstage or
- backstage. A show that could cost $5 million will be mounted
- there for about $1.5 million. If it moves to Broadway, salaries
- and royalties will jump to normal levels. If not, losses will
- have been held down.
- </p>
- <p> The group debuts in May with an adaptation of Manuel Puig's
- The Kiss of the Spider Woman. The score is by John Kander and
- Fred Ebb (Cabaret) and the staging by Harold Prince (The
- Phantom of the Opera). Says Prince, winner of 16 Tony Awards
- for musicals: "I see this as an opportunity for young
- composers, lyricists, librettists and directors to have a
- career like I had--to be able to experiment, to fail, and
- from those failures go on to create successes."
- </p>
- <p> Following Spider Woman will be works by, among others,
- songwriters Marvin Hamlisch and Jimmy Webb, novelist Erica Jong
- and playwrights Arthur Kopit, Marsha Norman and Peter Stone.
- Financial backers include Capital Cities/ABC, Columbia Artists
- Management and Jujamcyn, which owns five Broadway theaters.
- Investors have provided about a fourth of the first year's $10
- million budget, with the balance projected to be earned in
- ticket sales, program advertising and merchandising.
- </p>
-
- </body>
- </article>
- </text>
-
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